Dar Aziza - Oil on Canvas
A 16th-century Moorish palace located in the Casbah of Algiers in Algeria.
Casbah of Algiers - Oil on Canvas
The Casbah of Algiers is founded on the ruins of old Icosium in the 10th century.
Mont Sainte-Victoire - Oil on Canvas
This painting is a reproduction of a work by Paul Cézanne.
Moses Bust: A Still Life
A detailed drawing of a Moses bust, presented as a still life.
The Forgotten Queen - Oil on Canvas
An oil painting capturing Ouargla's cityscape in Algeria, titled "The Forgotten Queen."
The Water Carrier (or The Old Biskri)
A reproduction after Lazerges, this painting captures the ambiance of an Algerian Kasbah alley.
Old Sailboats at Sunset
An oil on canvas capturing the tranquil charm of old sailboats against a stunning sunset backdrop, radiating nostalgia and serenity.
Ouaregla
An oil on canvas showcasing the city of Ouargla, Algeria, featuring its iconic palm trees and distinctive Saharan architecture.
Olive Tree Grove
An impressionist oil painting depicting the sunlight on the fields of Ain Defla, Algeria, featuring a grove of olive trees.
Market in Cair
An Orientalist-inspired reproduction capturing the vibrant atmosphere of the bustling market in Cair, Egypt
Marguerite Field in Morning Light
An impressionist oil painting capturing the sunrise over the hills of Ain Defla, Algeria, featuring a field of marguerites.
old_algerian_woman_making_traditional_bread
Cubist Conundrum
Sepia chalk drawing (84.1 x 118.9 cm) featuring a cubist figure made of cubes, inside a larger cube, drawing a floating cube in space.
Infinite Ascent
Sepia and black chalk drawing (84.1 x 118.9 cm) with blue-gloved hands scaling the inside of a vast, geometric cube.
Ghardaia
An oil on canvas depicting the central square of Ghardaia, Algeria, highlighting its unique architecture.
The Casbah
An oil on canvas depicting the historic Casbah of Algiers, capturing its unique charm and architectural beauty
La Source
A black chalk drawing inspired by Ingres' "The Source," capturing the original's classical beauty.
